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George Harris and Eliza, his wife, are re-united.

EXCERPT. Only about a third of this long sequence is included in the movie clip. The whole sequence shows the clear influence of western movies on this film. The novel's "Fight at the Rocky Pass" is turned into a shoot-out, and the many and varied camera positions from which shooting is "shot" indicates how familar even these early film audiences were with the conventions of representing such a scene.
Omitted are the scenes at the beginning of George getting into the wagon, the "posse" in pursuit, and the fugitives getting out of the wagon to climb into the rocks; and the last part of the shooting sequence (including Marks riding away as fast as he can), though you can see the triumphant image with which the sequence ends by CLICKING HERE.
[This jpeg slide show uses the entire sequence.]