". . . a black skin, in these nineteenth century days,
      is quite a blessing."


The Cabin and Parlor

Titlepage
  "J. Thornton Randolph" was really Charles Jacobs Peterson, a Philadelphia writer. According to the NOTICES AND PROMOTIONAL MATERIAL published at the end of reprintings of his novel, he decided to write The Cabin and Parlor not long after Stowe's story began running in The Era. His book was published in September, 1852, less than half a year after Uncle Tom's Cabin came out in book form.
  The novel begins, like many mid-century American novels, with the failure of a father. When Mr. Courtenay, an apparently wealthy Southern slave-owner, dies suddenly, his family discovers that debt will drive them into exile. The story focuses mainly on the sufferings of Courtenay's children, especially Isabel (who must become a school teacher to try to support her mother) and Horace (who goes North to become "a Northern slave" -- i.e. a clerk in a city store owned by Mr. Sharpe). As a number of characters point out throughout the story, these dispossessed aristocratic whites suffer infinitely more than Courtenay's slaves, most of whom are bought by concerned neighbors, and who are actually in a position charitably to assist Isabel. The only unhappy slaves are the mulatto couple who flee North to the same city (probably Philadelphia, though not named) in which Horace struggles and dies. Charles and Cora's story takes the novel into places and events seldom acknowledged in American discourse at this time -- including Northern ghettoes, anti-black riots and a racist "justice" system. The heroes of the story are Uncle Peter, a faithful "servant" (to use the word the novel prefers to "slave"), and especially Walworth, slave-owning son of an old Virginia family, who comforts Horace as he dies, rescues Cora from a racist white mob and marries Isabel, restoring her to Courtenay Hall. The villains are Northern businessmen, whose capitalist exploitations are the social sins that, according to the novel, God is keeping track of against a coming Judgment Day.
The Cabin and Parlor; or, Slaves and Masters
By J. Thornton Randolph (pseudonym for Charles Jacobs Peterson)
Embellished with Magnificent Illustrations. From original designs by Stephens, engraved by Beeler
(Philadelphia: T. B. Peterson, 1852)

Digital text prepared with the help of the
Wright American Fiction Project, Indiana University Library.
Frontispiece 1
THE NOVEL'S TWO FRONTISPIECES
Frontispiece 2
  • PREFACE.
  • CHAPTER I.   THE UNBIDDEN GUEST.
  • CHAPTER II.   THE NEGRO QUARTER.
  • CHAPTER III.   THE BEGGARY OF THE ORPHAN.
  • CHAPTER IV.   THE FUGITIVE SLAVE.
  • CHAPTER V.   THE HOUSEHOLD WRECK.
  • CHAPTER VI.   THE SCHOOL.
  • CHAPTER VII.   THE HARVEST HOLIDAY.
  • CHAPTER VIII.   HORACE AT THE NORTH.
  • CHAPTER IX.   THE NORTHERN SLAVE.
  • CHAPTER X.   THE FUGITIVES.
  • CHAPTER XI.   THE BLACK SUBURB.
  • CHAPTER XII.   ROSA'S WEDDING.
  • CHAPTER XIII.   LITTLE ALFRED.
  • CHAPTER XIV.   ISABEL'S WINTER.
  • CHAPTER XV.   THE ENGLISHMAN.
  • CHAPTER XVI.   THE SUPPLIANT.
  • CHAPTER XVII.   HORACE AGAIN.
  • CHAPTER XVIII.   THE RIOT.
  • CHAPTER XIX.   SACKING THE SUBURB.
  • CHAPTER XX.   CORA AND HER CHILD.
  • CHAPTER XXI.   CHARLES IN PRISON.
  • CHAPTER XXII.   REQUIESCAT IN PACE.
  • CHAPTER XXIII.   CHARLES SET FREE.
  • CHAPTER XXIV.   FRATERNAL STRIFE.
  • CHAPTER XXV.   THE SNOW STORM.
  • CHAPTER XXVI.   THE LETTER.
  • CHAPTER XXVII.   THE INTERVIEW.
  • CHAPTER XXVIII.   DIOMED.
  • CHAPTER XXIX.   THE FUGITIVES AGAIN.
  • CHAPTER XXX.   THE RETURN.
  • CHAPTER XXXI.   THE HOMESTEAD AGAIN.
  • REVIEWS AND ADS (added to new printings)


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