Pair of flats in second grooves. Veranda of planter's house. Two French windows through which entrances are made. Curtains to drop.

(Enter Mr. Shelby with Haley, R. 1 E.

  HAL. I can't make a trade that way, Shelby; that's a fact.

  SHEL. But Tom is an uncommon fellow, Mr. Haley—worth twelve hundred dollars anywhere—steady, honest—

  HAL. You mean, as niggers go?

  SHEL. I mean honest, sensible and pious. As the phrase is, he got religion about four years ago, and since then I've trusted him with all I have.

  HAL. Wall, religion is a valeyable thing in a nigger, when it's the genuine article. I bought a pious darkey of a man last fall and realized six hundred on him.

  SHEL. Then take my word that Tom's piety is genuine, and you ought to let him cover the whole debt; and you would if you had any conscience, Haley.

  HAL. Look yar, Shelby, I've as much conscience as any business man can afford, but this 'ere is a leetle too hard on a chap.

  SHEL. Then what do you want?

  HAL. Well, haint you got a boy or a gal you could throw in with Tom?

  SHEL. None that I could part with, Mr. Haley.

(Music. Harry runs in from window, round stage, and up against Haley.

  HAL. Hello! whose young 'un is this?

(Eliza enters, and catches Harry up.

  ELIZA. Mine, Massa! My Harry!

  SHEL. Eliza!

  HAL. Your'n! Your master's, you mean—by the color on ye.

  SHEL. What do you want, Eliza? (uneasily.)

  ELIZA. Mrs. Shelby sent me, sir, to look for you.

  SHEL. Tell her I'll come soon; take Harry away.

  ELIZA. Away, yes sir. (To him) My darling, you are safe nowhere but in my arms. (Exit into house.)

  HAL. By Jupiter! that gal's a prime article! What will you take for her?

  SHEL. My wife would not part with her for her weight in gold—Mr. Haley.

  HAL. Ay, ay! women say them sort o' things, cos they aint got no sort o' calculation.

  SHEL. But in this case, I say no, also, and I mean it.

  HAL. Tell ye what, then, I'll stand ye eight hundred for the boy.

(Music. Eliza appears at window listening.

  SHEL. Bah! what can you do with the child?

  HAL. Wal, I've a friend going into that branch o' the bis'ness, raising handsome boys for market to sell for fancy waiters and valets to rich 'uns down South.

  SHEL. I'm a humane man, Haley, and I should hate to part the boy from his mother.

  HAL. I understand, and them screechin', screamin' times is mighty unpleasant anyhow; but, Lor' bless ye, these critters aint like white folks, and they gets over it, if you manage right; I knew I real handsome gal to Orleans, clean lost by rough handling; a feller named Legree was trading for her, and didn't want her baby, and I tell you she squeezed up that child in her arms, and went on awful; and when they parted 'em and locked her up, she just went ravin' mad, and died in a week. Downright waste of two thousand dollars. Yes, sir, I agree with you, humanity is the dodge. I'll give you eight hundred for that boy.

  SHEL. Don't tempt me, Haley. If my debts were not so pressing I would not even speak of it.

  HAL. And debt is the devil, aint it? It don't look well for a feller to be praising himself, but I'm considered to bring in the finest, fattest, and best tempered niggers in the trade. And how do I do it? Why, by humanity. I'll give you nine hundred for that boy.

  SHEL. No, no. I shall have some trouble with my wife about parting with Tom.

  HAL. But you couldn't help it! Throw in that boy, and there'll be a balance in your favor.

  SHEL. What my wife will say, I——

  HAL. Oh, send the mother out of the way, and do the thing quiet afore she comes back; then give her a new gown or a brace o' earrings. She'll soon forget the young 'un. Niggers are so easy pleased, ye know.

  SHEL. But my wife is not so easily pleased, though.

  HAL. Needs must when the devil drives.

  SHEL. The devil drives indeed and you are not an inapt illustration of your own proverb.

  HAL. Ha! ha! ha! You have your joke, and let me have the boy.

  SHEL. Confound you, Haley! you've got the whip hand of me; and you use it.

  HAL. With humanity, Squire—with humanity. Come into the house. Transfer Tom and that boy to me, and I'll give you back your notes of hand, and a roll of bank bills over and above that into the bargain.

  SHEL. Confound you, Haley, you'll make me soon as humane as—yourself.

  HAL. Ha! ha! ha! No salve for a sore conscience like ready money, Squire.

(Music.

(They enter the parlor by one window as Eliza darts out with Harry by the other.)

(Stage gets darker.

  ELIZA. Cling to me, Harry! Cling to me, my boy! They are trading for you—my heart's darling, selling you from me—to part us like beasts in the field. Will Mrs. Shelby let them? On, how can she help it if Massa's in that trader's power. Poor Uncle Tom sold, too! I must go down to his cabin and break the dreadful news; find George, my husband—say goodbye to him—to all—and then, fly from this place. To save you, darling, I must risk everything, and I will! death even, ere they shall tear you from me!

(Music. Exit Eliza, R. 1 E.

Uncle Tom's Cabin discovered. Evening. Candles lighted. A rude but clean hut. Fire burning in large chimney, R. A door and window in the flats. Table. Stools. Chairs. A book-shelf, with an old Bible on it. A few cheap pictures on the wall. A Child's crib. A bed, &c. Chloe and children discovered. Sambo sitting by the fire.

  CHLOE. G'long all on ye, you brack trash! Git into yo' cribs! Your fader's a coming in soon, and den you'll get rats if you's not abed.

  SAM. (Eating) Dis yar pie, Aunt Chloe, is fust rate! I guess dar's no cook ken beat yo' on pies in this district.

  CHLOE. Guess not, Sambo—he, he, haw! Miss Shelby knows what cooking is.

  SAM. I don't believe as Jenny, over to Harris', could beat dis yar (gulping the last piece.) I mean dat ar pie!

  CHLOE. (Contemptuously.) Jenny, indeed! Jenny's a common plain cook—biles her taters far, but Lor', when she comes to de higher branches what ken she do? Nuffin! Didn't I stand behind de do' up to de house to-day, and didn't dat ar gemman as was dinin' wid Massa Shelby—didn't I see him pass his plate tree times for more of dat bery pie.

  SAM. Dar ar gemman! He aint no gemman at all, Aunt Chloe. Dar ar man's a nigger trader, sure.

  CHLOE. De Lord save jus! What's he a doin' here?

  SAM. Dunno; but Ise afeerd dar's suthin' wrong gwine on around hyar.

  CHLOE. And you is right, Sambo. I been a most raised on dis plantation; I married my old man Tom hyar; de chil'n was all born hyar; and I neber know'd afore as a nigger trader sot down wid Mas'r and Missis at de same table.

  SAM. And was Missis at de table?

  CHLOE. Lor' sakes, no! I 'member now as she was tuck sudden sick all at onst, just afore.

  SAM. I tole you, Aunt Chloe, dat dar's trouble a comin' afore long, sure. (Earnestly)

  CHLOE. Den I wish to de debble dat pie had choked dat ar trader at de fust bite.

(Music. Enter Uncle Tom with bag, L.C.

  CHLOE. What, ole man, you's come back? Bress you! (She hugs Tom. Children surround him.)

  TOM. Dat's right. Gi' me a hug all round. Dat's good; it kinder lifts my heart up, to come back to de ole place, arter being away for twenty-fo' hours. Dat's enuf, dat's enuf. (Addressing the children who climb over him.)

  CHLOE. Go back to your cribs, you Mose and Pete, go back, or look out for dis yar! (She shakes rattan—general scamper.) But you's hungry, old man, arter dat long journey; you must want you supper mighty bad?

  TOM. No, I don't, Chloe. De people ob de town put plenty of good food into me, and jest now when I gave Massa de money he sent me to fetch, he took me by the hand and said, 'I knew I could trust you with untold dollars, Tom.' 'Twas better than a meal, Chloe; it kinder made me tremble, for I saw de tears in Massa Shelby's eyes. God bless him!

  CHLOE. Mass didn't 'spect as you was agwine to run away, did he?

  TOM. He might ha' thought so once, Chloe, but den I hadn't you and de chil'n to come back to. It's a good thing to be a free man, Chloe; but it's a better, to be a slave to de Lord, and do your duty on this arth.

  SAM. (Crying.) You's too good for dis arth, Uncle Tom, you oughter be flyin' around up dar.

(He crams his mouth with pie.

  CHLOE. Guess you'll never be an angel, Sambo, you's too fond o' you belly.

  SAM. Dat's so! I don't want to get out of dis till dar's no mo' pies, and all de good things is burnt up.

  TOM. Sambo, it's time to put things in shape for de meetin'; I hurried back cos I wouldn't miss meetin' night; tote in dem barl's and make things comf'ble for de friends.

  SAM. All right, Uncle. (He opens the door. Music. George Harris appears.) La's sakes! Who's dat! George Harris?

  TOM AND CHLOE. George Harris, what's de matter? What's wrong?

(George falls into a seat, buries his face, then rises and speaks passionately.

  GEO. All the world's wrong! The curse of heaven is on me! Would that I were dead!

  TOM. What's de matter, George? What's de matter, poor heart?

  GEO. Heart? What right have you or I to a heart? We are others' property, and our hearts must beat as others please.

  TOM. No, George! Our hearts are free, even if our bodies are our massa's.

  GEO. Our masters! Who made any man my master? Have I not hands? Do I not talk and act as other men? Do I not speak the same tongue? Am I not better instructed than half the wretches who can buy and sell me? I have no master, then, but heaven; and heaven cannot be wroth if I break the usurper's laws.

  TOM. Tell us, George, what has happened.

  GEO. My master, as he calls himself, was pleased to send for me from the factory, today; to take me from the work which made me feel a man at least, and set me to hauling stones and garbage from his fields.

  CHLOE. Oh! George! Dat's cruel, cruel!

  TOM. Be patient, George.

  GEO. Why should I be patient? Have I not paid for my food, paid for myself ten times over? Yet he is my master still! He saw rebellion in my eyes, when he insulted me, and he swore, with a loud oath, that he would crush the spirit which throbs beneath this tawny skin. He wont, though, he wont!

(He crosses to R.

  TOM. But think, George, think of Eliza, your wife—think of your boy.

  GEO. My wife! My boy! Has the slave a chattel he can call his own? Think of them! I do think, and every thought is a stab at my heart. Eliza is in kind hands, it's true—'twas Mrs. Shelby's plan to marry us, although we lived on different estates—and what may be the upshot? My boy may be torn from his mother's arms, and sold at a higher price, for that very beauty which makes him doubly dear in both our eyes.

  TOM. No, no, George, Massa Shelby is too good a massa to part with Eliza and her boy.

  GEO. But it may be—and while such things are possible, the curse of heaven is on the land, and upon us, who, like tame animals, submit to them! My mind is made up, Tom. In a day or two I shall be among the missing.

  TOM. Oh, George, don't try it—don't, for Eliza's sake.

  GEO. It is for her sake I shall. What do you think, this very day, my master said he hated these Shelbys for a stuck up lot; that I should not come to see Eliza any more, but take Mina, one of the girls on his plantation, for a wife.

  CHLOE. Oh, de Lord, de Lord!

  TOM. But dey can't part you, you was married by de clergy, and dey can't part you.

  GEO. Can't! Ha, ha, ha! Is there a law by which a slave can hold his wife when the man who calls himself master wills it they shall part? No, my master said that 'if I would not marry Mina he would sell me down the river.'

  CHLOE. Oh, de good Lor' save us! dat's drefful!

  GEO. I came round by Mas'r Shelby's house to tell Eliza that if I could get the chance, I am out of bounds, and if I'm caught I shall pay for it with a whipping. You will see my darling in the morning. Give her my love, and tell her I am going.

  TOM. Going where?

  GEO. To Canada! Where men of every shade are free and equal. Tell her that I'll work there for her and for my boy, and that I'll earn the money to redeem them both. Ask her to forgive me, and to pray for me.

  TOM. Oh, George! if you should be taken, dey'd cut you to pieces.

  GEO. Well, if I am taken alive, let them! But I wont. I'll be free or die. Better a grave beneath the soil than tame submission to a master's will above it. Good-bye. Pray for my safety.

(Music. Exit George, followed by Tom.

  CHLOE. Pray for yourself, honey! If dey catches you dey'll skin you alive, shuah.

(She sweeps up the hearth as Sambo re-enters with planks, which he places on barrels for seats. Children sit up in their cribs.

  SAM. Hyar's de folks, Aunty; hyar dey is all a come to de meetin'.

  CHLOE. Hurry up den and set de forms around for de congleum gation.

(Music. Re-enter Tom and about twenty negroes of both sexes. Dinah, a very old white-headed negress with staff. Two old men. The others, chorus singers.)

  TOM. Come in, friends, come in. You all knows de way.

  ALL. (to Chloe) How dy'e do, Missus Chloe? Hope you's well; and de chil'n?

  CHLOE. Putty well. And how's you, sister Dinah?

  DINAH. I'se jest waitin', jest waitin', Chloe, to hear the blessed voice call me. (She stands, and raising up her staff prophetically, speaks with solemnity.) I dunno de time, but I'se ready, chil'n. 'Pears like I got ma bundle tied up, and me jest a waitin' fo' de stage to come along an' take me home——

  CHORUS OF VOICES. (Groans) Oh! Oh! Oh! Dat's it, aunty, dat's it!

  DINAH. Sometimes in de night, chil'n, I thinks I hears de wheels a rattlin'; so Ise lookin' out all de time and listenin'. I tell you, chil'n, you jest be

(Dinah totters to her place as the chorus sing the "Sweet Canaan." Uncle Tom takes the Bible from the shelf and lays it with reverence on the table, at the end of the song. Eliza enters hurriedly. All start surprised.)

  ALL. Who's dat? Eliza!

  TOM. What's amiss, Eliza? What's come over you?

  ELIZA. I'm running away, Uncle Tom, and carrying off my boy. Mas'r sold him.

  ALL. Sold him!

  ELIZA. And O, Aunt Chloe—forgive me that I bring such bitter news!—but he has sold your husband, too—sold my Harry and you, dear Uncle Tom. (Weeps.)

  ALL. De Lord have pity on us!

  CHLOE. Sold my Tom? Lizzy, you's mad!

  ELIZA. I may be; but I tell you I heard them bargain for your husband and my boy.

  CHLOE. Oh, what has he done, what has he done?

  ELIZA. It isn't for that. Mas'r didn't want to sell, and Missis pleaded hard and begged for us; but Mas'r Shelby told her he was in this trader's debt, and if he didn't pay him clear 'twould end in selling off the place and people.

  ALL. De good Lord save us, den! (Groans.)

  ELIZA. And so, I'm running away—thither—toward the free land, if I can reach it. It's cruel, I know, to desert so good and kind a mistress; but all the blood in my mother's heart cries out—Save your boy! Save him at any risk!

  CHLOE. (To Tom, who has buried his face in the Bible) And why don't you go, too, ole man? Will you wait to be toted down de river, where dey kills niggers with starvation? Git away! You's got a pass to come and go; so git away with Lizzy!

  TOM. (Rising) No! It's Lizzy's right to save her boy if she ken—it's her duty perhaps, but my duty is here.

  ALL. Here?

  TOM. Yes! here! Mas'r has always found me at my post, and while I am here he always shall. Massa's been good to me for years—he can't help himself, and if it's to save the old home and all here—why—let me be sold! (All groan.)

  ELIZA. But there is hope, Uncle Tom. Missis made the trader give bond to sell you only into a good service, and she and young Mas'r Shelby vowed they'd work, and pinch, and save, to buy you back.

  TOM. Dat's a comfort den, and I can bar it better. Good-bye, Lizzy, and de good Lord keep you safe.

  ELIZA. Good-bye to all! Give my love to George, and tell him that I fly only to save our Harry. Good-bye, good-bye. (Music.)

  ALL. Good-bye.

(Exit Eliza and Harry

  TOM. I'll try and bar it friends! Don't cry, Chloe!

  CHLOE. (Crying) Don't cry, old man! Who's to take care o' me and the chil'n when you's gone. Oh, dem traders, dem traders! If de debble don't get hold of dem cussed traders, what de debble is de good ob de debble anyhow.

  TOM. Hush, Chloe! I'd suner be sold ten times over than hab to answer what they must, for de great Mas'r ob all above will set things straight some day. It's hard, Chloe, it's hard, friends, but I'll try and bar it for your sake, and for my little fatherless ones. I'll try and bar it. Pray for me, let me hear your voices, let me——

(He breaks down and falls on his knees in a passion of tears.)

All kneel around Tom and sing a negro dirge. Closed in by

  Interior of tavern near the Ohio. Window in Flat, R.C. Enter Marks and Haley, 1 E L.

  MARKS. Well, now! this is a sight for sore eyes, Mr. Haley! You're the last man I'd a thought o' meeting in Kentucky!

  HAL. Why not? My bis'ness takes me up and down the river all seasons. And if it comes to that, what brings Lawyer Marks all the way from Orleans?

  MARKS. He, he, he! The law 'll do very well down there without me, for once.

  HAL. "Twould do a darned sight better without you altogether, I reckon.

  MARKS. Eh! He, he, he! But my clients wouldn't. (Aside) I smell bis'ness. You, for instance, look kinder puckered up.

  HAL. I'm in a fix.

  MARKS. Are you? Well, now! This is the nighest thing to what folks call Providence that ever I see! Oh, what a blessing the law is to people in trouble! Ain't it?

  HAL. I dunno! What ken you do for me?

  MARKS. State the case.

  HAL. Wall! I bought a young 'un of Planter Shelby, and the mother got scent of the bargain and bolted.

  MARKS. No trade without delivery, ye know.

  HAL. But, darn my luck, I gave Shelby a quittance in full, and now I'm eight hundred dollars on the wrong side.

  MARKS. Unless we can catch the gal.

  HAL. It's the young 'un I want; I don't care a darn for the gal. Gals with young 'uns is the cuss of our bis'ness, and the uglier the little beggars is,

  MARKS. Ha, ha, ha! What a lovely take in!

  HAL. Hold on, they didn't fix me. I kept dark, and just passed him along to another man—ha, ha, ha,—swapped him for a keg o' whiskey.

  MARKS. Ha, ha, ha! Lovely. Ha, ha, ha! (They laugh.)

  HAL. But when they came to take the young 'un away from the gal, Jehu! Ef she didn't seize a knife from one of the deck hands and make things fly, till she saw it warn't no use, when she just turns round, and pitches head fust, young 'un and all, into the river; went down plump, and never riz.

  MARKS. Ha, ha, ha! Why didn't you go down arter her, Mr. Haley?

  HAL. Every chap to his trade, and catchin' niggers ain't mine, Mr. Marks.

  MARKS. Oh, if my friend Legree was only on time.

  HAL. What, Simon?

  MARKS. Ay, Simon; he loves nigger huntin'. I've been expecting him here these two days, but I reckon he can't get across the Ohio. The ice broke up yesterday and the ferry's blocked.

  HAL. Good! Then the gal can't get over either, that's sure. Sambo. (Sambo enters, L.) Have you seen her come along yet?

  SAM. No, Massa; seed nothing like a woman yet, 'cept a brown mare wid a white stockin' on her hind leg.

  HAL. None o' your nigger tricks on me, mind, or I'll scrape ye raw.

  SAM. All right, Massa; golly, dat would be fun. He, he, ha.

(Exit

  HAL. That's one o' Shelby's darkies—lent him me to catch up the gal.

  MARKS. But business, Mr. Haley, business. The gal ain't yourn?

  HAL. No, I tell ye it's the boy I want.

  MARKS. Leave it to me, then. Simon will be over to-night, somehow. Meantime, we can watch the river, and if we catch 'em, you take the boy, and Simon and me—why—we'll just hold on to the girl.

  HAL. But she's Shelby's slave.

  MARKS. Never mind that. If we catch her, we'll just take her into the next county, and I'll swear before the first Justice that she's my runaway nigger. The law 'll support me. Oh, what a glorious thing the law is, Mr. Haley; and how convenient it does come in on an emergency.

  HAL. Well, you can take the risk ef you've a mind, only give me the youngster.

  MARKS. It's a bargain, and as the profit is prospective, I shall only charge you ten dollars for my advice.

  HAL. Ten dollars! you be darned!

  MARKS. Isn't that cheap enough?

  HAL. I shan't pay you a dollar.

  MARKS. Then lend me five, and we'll cry quits.

( Music—Eliza appears suddenly at the window with Harry in her arms.)

  ELIZA. If you are Christian men help me to cross the river! They have sold my child, and I——

  HAL. Jehu! Thar she is.

  ELIZA. (Recognizing Haley, screams and disappears.)

  MARKS. Beautiful as a picter—she's worth two thousand dollars.

  HAL. After her, Marks! E-eow! (Yells.)

  MARKS. E-eow! You bet!

(They both go L., where they encounter Sambo running. Sambo falls, Haley tumbles over him, Marks over Haley.

  HAL. Darn your black hide, whar are you runnin' to?

  SAMBO. (stopping them) Phew! I—I—was jes' a runnin' to say dat I see'd de gal.

  HAL. Darn you—git out! Run, Marks, run for your life.

  MARKS. You bet! (They exeunt L.)

  SAMBO. (Looking out of window.) And run for your life, Lizzy. Golly, don't she run, too! Go it, Lizzy! I've stopped de trader. Dis sight is better dan all de pies in Kintuck. Go it! Go it, Lizzy! Sambo's arter you.

(He jumps through the window.

  Banks of the Ohio. The stream blocked with moving cakes of ice. Eliza with Harry, rushes down the bank.

  ELIZA. No boat! No boat! The river blocked with the floating, treacherous ice! Is there no escape. Oh!

(Gives a cry of agony.

  HAL. (Without.) Hip! we've got her! She's treed. Seize her, you damn'd nigger!

  ELIZA. No hope! No hope, then death!

(She leaps on to the first ice block as they enter, Marks, Haley and Sambo on the bank.)

  HAL. Ten thousand devils.

  ELIZA. (Leaps to another block, and clasping the boy to her breast, kneels.) Oh! Merciful Father! To Thy infinite care I commit his little life and mind.

PICTURE.

DROP.

  The person who plays Marks will not indulge in any gags here.